i’m sound designing a play for theatre passe muraille right now, which happens to be written by (and stars) my sister pamela.  the sound design is quite complex, by which i mean building the running cues for the sound involves many abrupt cuts and changes of audio state, let alone making the actual audio.  and in rehearsal today i got to thinking about how the internal pulses and arc of the sound itself can be magnified by movement and text, how it can become stronger even though it serves and is played in tandem with other elements.

it’s a beautiful dance.  i hope you can come see the show.

update:  a very nice review is here.

as you may know if you are a facebook connection, i will be opening for colin stetson at the perimeter institute for theoretical physics on march 31.  in honour of that occasion, i have been working on finally making a live set for anudrutam, something i have been wanting to do for a long time.

i am happy with what is happening so far—a re-visiting of the works on the cd in a way that keeps to the ideas and intent behind the original tracks but also refreshes them for live performance.  have a listen, and see you in kitchener on the 31 of march.

very happy to have learned that knuckleduster received a great review in wire magazine in the upcoming april 2012 issue by none other than clive bellrobert and i are thrilled to have this going out to the world.  hit us up on twitter to stay on top of news from the duo, including info on a show at berlin’s haus der kulturen der welt in june and our upcoming european tour.

don’t forget to visit the knuckleduster website for video, links to purchase the cd, and other news.

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I’ve just received notice that the Canada Council for the Arts will fund the creation of a new text/audio work in 1.1 (mono speaker + subwoofer) entitled hati.  the piece will have life as a static installation/playback work, a performance and who knows-what-else.

conceived as a piece that looks at the infrasonic communication of elephants and the re-imagining of the Hindu god Ganesh, hati has been brewing in my mind for close to 4 years now.  i am thrilled to be able to put aside time to work on this piece thanks to the council.

stay tuned…

Greetings everyone, and Happy New Year. After many months, it is time for an upcoming DEB, the first of 2012.

Some very excellent new projects in the pipeline, and a lot of outside-of-Toronto things happening that I thought I would like to let you all know about. If you find yourself somewhere, look for me.

Good tidings to you and your kin for 2012. I hope we see each other soon.

Deb

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1. Mrs. Warren’s Profession at Manitoba Theatre Centre Warehouse
Opens January 20
Tickets available here

I’m pleased to be the associate sound designer (with John Gzowski) for the MTC Warehouse production of the Shaw play. Directed by Alisa Palmer.

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2. Peggy Baker Dance Projects at NYC’s 92nd St Y
Feb 24-27
More information here

Peggy Baker Dance Projects is taking 3 works to the Harkness Dance Festival in NYC, 2 of which I have composed the music for: Coalesce, a 35 min trio, and Armour, a duet choreographed by NYC’s Doug Varone. I will be accompanying the, er, company to participate in the performances’ first half, where the creative genesis for the full works is presented to the audience. The 2nd half of the show is the full production.

I’d like to thank the Canada Council for the Arts for helping with the travel costs of this trip through the Travel Grants to Musicians program.

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3. Knuckleduster CD’s coming very, very soon

I am super thrilled to announce that Nuukoono, the CD of my new duo Knuckleduster (with Berlin based Robert Lippok) now actually exists in the real world. We are getting ready for an early February online release, and you will be able to buy physical copies from our Warsaw based label Gustaff. Coinciding with the release will be the release of some live video from our show in Toronto last November, shot by Jeremy Mimnagh, and some other bonus material.

You can read about the genesis of the project and listen to an interview about the recording process in the fantastic GDR Radio studios in Berlin at our website.

I’ll let you all know when the CD is available online. It’s a really gorgeous object with a giant cover designed by Berlin design house AEIOU.

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4. The Light nears completion

After many months of work, my (almost) one hour Höerspiel (radio work) is nearly complete. I will be meeting with the inimitable surround sound master engineer Phil Strong to create a 5.1 mix in the next while, and the AV performance version is now nearly complete. You can preview this project at my vimeo page, here
and here.

Thanks to the Ontario Arts Council’s Grants to Media Artists (Mid Career and Established) program.

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5. ds in residence at the Koffler Centre with Yair Dalal and Frank London
March 28, with workshops the week preceding the concert. More information here.

I am thrilled to be part of a great group of Toronto musicians with NYC based Yair Dalal and Frank London. These 2 musicians are at the top of their game and we expect a lively week of rehearsals and composing preceding the concert at the Jane Mallet Theatre on March 28.

Details are still being set, but set aside the date for some very special music (and possibly some visuals programmed by yours truly).

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More is coming, including a play written by and starring my sister Pamela at Theatre Passe Muraille, opening in May and directed by Alan Dilworth. I’ll be sending out another missive in mid March detailing these and other projects.

Best of the year to you! Make sure you say hi if you are at any of these shows.

good news!  the duo knuckleduster will be doing our cd release for nuukoono, our first cd on november 11 in toronto.  the illustrious garrison is the venue, and we will be welcoming music lovers from far and wide.

9pm is the start time, with an opener tbc.  knuckleduster hits the stage around 11.  tix a very affordable $10.

hope to see you there, and stay tuned as always.

 

 

i have had the good luck to expand my collection of raster noton music.  listening to the fantastic kangding ray just now, a mid 2000 release, stabil.

this sound of electricity in all its forms (kangding ray with his overtones of r and b, alva noto with his precise, detailed, relentless and beautiful clicks, shimmers, and breaths) is, i find, more and more fascinating every time i encounter it.

i think it will drive my work for some time to come.  the light is a door.

work on the light, which you have been reading excerpts of over the summer, continues apace.  now getting into the nuances of mixing spoken text with music, thanks to the help of the inimitable phil strong.

heading to the guelph jazz festival tomorrow to install skin, a single channel video which, like many of my projects, has many forms.  this time i’ll be installing it as a kind of immersive experience in the VIA rail station.

it will be part of the nuit blanche program, and many fantastic acts will be playing over the course of the night.  i will update this post next week with pictures and video from the installation.  if you are in the neighborhood, do come and say hi.

until next time.

 

another excerpt from my upcoming sound piece the light:

Full open bodies of air that shimmer with smog, reflecting the city light into the night sky, indigo, orange, red, violet.  Particles of dust, ash, hanging over the ocean, stopping planes from flying, the whole what-we-think-is-the-world paralyzed by a small hiccup deep below.  Halls with glass ceilings crosshatched by steel struts, designed by German engineers and Finnish architects, full of stranded people, sharing food.  Buildings crashing down, giant sinkholes opening in the middle of cities with no warning.  Grainy video posted on the internet of tidal waves coming over land, looking gentle but not stopping, never stopping, creeping forward in a slow breath when seen from the news helicopter, but raw chaos and white noise that will deafen you if that is you on the ground in the lower part of the frame.  Children buried in mudslides, cars floating upside down in the centre of the sea.

We are all particles if you look from high enough.

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